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futuresonic

Since its first major festival in 1996, futuresonic has sought to explore the connections between electronic music, media arts and contemporary culture, and become established as a significant international event.

futuresonic04 will present a wide range of artistic showcases, discussions and workshops, with one curatorial strand exploring the area of mobile connections, and another presenting a series of turntable music events to mark the 25th anniversary of the Technics 1200MK2 record deck, a device that has connected the diverse circuits of electronic music and that has become one of the most iconic cultural artefacts of the 20th Century.

In 2002 futuresonic presented some highly successful events under the banner of migrations, looking at movements of peoples and sounds, and the many transverse connections between artforms and cultures. futuresonic04 will shift the focus to the new kinds of events and artforms made possible by communications media, and to a different kind of mobility or connectedness that plays upon the limits of technological media.

www.futuresonic.com

loca

loca (Location Oriented Critical Arts) is an AHRB funded research programme led by Drew Hemment examining the shifting boundaries between art practice, the event and data-systems. It explores the implications of location aware media for artistic practice and for contemporary culture, with a specific concern for the convergence of communication and control in surveillance applications of mobile telephony. loca tests the creative possibilities of locative and surveillance technologies and the emerging subjectivities produced by pervasive location aware networked computing devices such as mobile phones.

www.loca.org.uk

urbis

The conference will be hosted by Urbis, a landmark six-story glass building rising high above Manchester city centre. Its mission as a centre for urban culture is to reveal trends and elements of contemporary urban culture and explore the cities of today and tomorrow. Three floors of multimedia exhibitions explore life in cities around the world and how people experience the urban environment, while its 1st floor and events programme explores the best of what is now and what could be next in urbanity. Mobile technology is increasingly becoming the common language of the urban interface, and as such is an area of great interest for Urbis.

www.urbis.org.uk

creative technologies, university of salford

The Creative Technology Research Group Art & Design Research Centre

Formed in 2000, the creative technology research group emerged from a wide array of new media research activities taking place across the University. The core emphasis of this group centres on redefining and developing digital and electronic technologies and concepts for creative applications and solutions that will enhance our human experience and cultural engagement. The broad range of creative technology research group members ensures a high level of inquiry and debate that creates both research synergies and interdisciplinary collaboration across the university, whilst informing and influencing the related postgraduate MA and MSc programmes in Creative Technology, Graphic Design and Virtual Environments.

Ranging from interactive media arts and performance to virtual environments and artificial life experiments, this research group locates itself at the forefront of its specific fields. Current research activities in the areas of telematics, telepresence, interactive arts, new media narratives, digital performance and sonic arts have secured research and development funding from sources such as The Arts Council of England, The Arts and Humanities Research Board, The Leverhulme Trust and The National Lottery Fund, supporting projects that have been disseminated through participation in international exhibitions, symposiums, theatre productions and publications - including The Ars Electronica Centre Linz, The MIT Press, Siggraph USA, The International Symposium of Electronic Arts - ISEA, The ZKM Centre for Arts and Media Karlsruhe and The InterCommunication Centre Tokyo.

http://www.artdes.salford.ac.uk/

Colin Fallows,
Liverpool school of art and design

Colin Fallows is Professor of Sound and Visual Arts at Liverpool School of Art and Design, Liverpool John Moores University. He has explored crossovers between sound and the visual arts as an artist, researcher, curator, lecturer and has produced work for live ensemble performance, recordings, exhibition, installation, radio and the Internet. His artistic and curatorial projects have featured in numerous international festivals including Video Positive, ISEA98, Intermedia and Ars Electronica. He is the founder and Artistic Director of Audio Research Editions, a limited edition imprint for artists' soundworks, which since 1998 has published over two hundred works by artists from over twenty countries.

supported by

Arts and Humanities Research Board
Arts Council of England
Manchester City Council
Performing Rights Society Foundation
Urbis



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©drew hemment 2004